*NEW* Studio One 3.5 Video Series

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We are launching, today, following from the release of the 3.5 update to Studio One yesterday (May 23rd 2017), our brand new video series, in which we will go into some more depth and detail on the more than 60 new features in Studio One 3.5. We will start with what I think are the top ten features and working our way through the rest from there. This new update has totally melted my brain with the sheer quality and volume of new features, as well as fixes, to Studio One. It is extremely impressive that such a wealth of new stuff should be made available in a FREE* update to a DAW! Enjoy the series!

*Free to current users of Studio One 3.

Studio One 3.5 is HERE!

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PreSonus have only gone and done it again! The newest update to Studio One brings in more than 40 new features, including a new “UNDO everything” feature (including mixer and plugin moves), New EBU R128 Loudness management and a re-designed Project Page for mastering, which also allows for the IMPORT of DDP files as well as export. The famous Fat Channel was given a makeover in line with the recently launched StudioLive Series III mixers. It now includes state space models of classic and vintage hardware EQs and compressors.

My good buddy Johnny Geib and I did two live broadcast shows on Johnny’s Channel HERE, where we went over some of the top 10 new features in Studio One.

Go check out the new version of Studio One HERE!

PreSonus Live Special Broadcast

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Today, on the PreSonus YouTube Channel at 10AM CST (4PM BST), there will be a very special live edition of PreSonus Live. You do NOT want to miss this!

https://www.youtube.com/channel/UC7WUeriUrgp0QI9R61RWz0w

Following on from the PreSonus Broadcast, my good buddy Johnny Geib and I, over on his YouTube Channel HERE, will be doing TWO special broadcasts at 2pm and 6pm CST (8pm and Midnight BST), where will reveal some more surprises. You do NOT want to miss these!!

Interactive Mixing with David Vignola and Jonny Lipsham

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Join us for the next episode of Interactive Mixing this Saturday, May 20th 2017 at 5pm EST, (10pm BST, 9pm GMT)!

These YouTube LIVE events are always great fun for David and I and for all those participating, so come along and join in!

Editing MIDI Velocities [Video]

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In today’s video, we will look at how you can edit MIDI velocities to create dynamic interest and intensity.
We hope you find it helpful!

MixBus Compression [Video]

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In today’s video, we take a closer look at mixbus compression, how to set it up, dial it in and where and why I apply certain settings (the only time where I am really going to recommend specific plugin settings!). If you find this video helpful, please go to the YouTube Channel and subscribe and like the video!

Why I Mix In Mono

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I advocate mixing in mono for at least 85% of your mix – your EQ and compression decisions – and my reason why is this:

It is important first off in your mix to establish your gainstage and then to set your levels and panning positions in a phase often referred to as a “static mix”. This means, no plugins are brought in at all. You set the song on a loop and you mix using the faders and panning ONLY. Once we have this sounding as good as we can, we hit the mono button!

Often times, we think we have separated two elements that are competing for space in the mix by panning them away from each other. But, we haven’t necessarily done that at all. If we were to export our mix to a CD and played it on a boombox in the corner of the kitchen, by the time the audio hits both your ears, it is effectively collapsed to mono. When this happens, it will expose those fighting elements in your mix, and one may be masked or even cancelled out by the other, leaving your mix out of balance.
But, if you were to EQ and compress these elements in mono, you would directly address this issue and, by careful use of complimentary EQ and by adjusting your attack and release times on your compressors, while in mono, you can achieve the separation you want.
Now, when you flip it out to stereo, you will find those formerly fighting elements now clearly heard in their places in the stereo field in the mix.
Ironically, by mixing in mono, you achieve a better balance of the stereo field and better control of the elements of your mix.

Does this mean that the final mix remains in mono?

No it doesn’t. Once we have all the elements clearly separated out, clearly heard, not competing for space in the frequency spectrum, and the song actually sounds so good, you have forgotten that you are in mono; then you are ready to flip out to stereo. At this point we will hear the mix pretty much done. This next phase is the real fun part……if you are not having fun already, that is! Here, we start getting ambient effects going – reverbs, delays and suchlike. This is where we sweeten the mix and get extra creative. All this is done in stereo, but it’s also a good thing to quick-check in mono, so we can ensure we are not fooling ourselves.

In my opinion, mixing in mono is really important, if we want to achieve a high degree of clarity in our mixes. We must remember that there are a wide range of listening positions, in the real world, that music is heard. More times than you think, this means that our mixes will be effectively collapsed to mono. For example, in a restaurant, no one, unless you are really lucky with table booking, sits in the same ‘sweet spot’ as we do in our studios; or in a supermarket, no one restricts their shopping movements to just in that spot between two speakers! So, fundamentally, our mixes are going to be summed to mono, unless we are using earbuds. It’s really important, then, that our mixes sound JUST as awesome in mono as they do in their full stereo glory. Mixing in mono will help you achieve that, and will help you achieve a better command of the stereo field at the same time.

So, there you have it: that’s why I mix in mono, and encourage you give it a go on your next mix!

MIDI Drums Made Easy

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For those of you who have bought this video series, I hope you are finding it helpful and useful to your songwriting and productions. Please let me know via the contact page, or in a comment on this post what you think of the product.

Dave and I have been running this at a special introductory price of $10 for the last few days, but from tomorrow, it will go up to its standard, still insanely low price of $14.95, so, if you don’t have it yet, now is your last chance to get it super-cheap!! Just follow this link: https://gumroad.com/a/638661747

Other News….

New videos are in the pipeline, including videos on mixbus compression, mixing vocals so that they  ‘surf’ on the top of your mixes, recording saxophones in a small space successfully, and many more, so stay tuned to the YouTube channel for those! Also, we plan on doing some livestream Q&A sessions in the very near future, so if you have some questions on recording, mixing and mastering, then shoot me an email via the contact page and I’ll try to get them answered in the streams!

I hope you all have a fantastic Easter/Passover with your families and friends. Take care!

MIDI Drums Made Easy is Available NOW!

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We are very pleased and excited to announce that MIDI Drums Made Easy, my video series product made in association with David Vignola over at homerecordingmadeeasy.com is now available!!

Click the link here to buy it NOW at the INSANELY low special sale price of $10: https://gumroad.com/a/638661747

Coming Soon: MIDI Drums Made Easy(TM)

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I am very excited to announce that, in association with my good friend Dave Vignola over at HomeRecordingMadeEasy.com, I am developing a 3 part video series on programming MIDI Drums for beginners! In this video, Dave and I discuss a little bit about the series. I am hoping that, following this series’ success, I will follow this series up with Intermediate and Advanced Level series’ to compliment the beginners series, completing a set of 9 or so 1 hour long in-depth training videos, taking you from beginner to expert drum programmer. Hope you enjoy this interview I did with David as part of a Facebook Live broadcast on his HMRE page.

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